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The New Sins (2001) is the public art project created by artist, musician an cultural commentator David Byrne for Sydney Festival 2002. Adorning 26 bus shelters, telephone and information booths around Circular Quay between George and Loftus Streets, The New Sins is Byrne's first exhibition in Australia and the most significant outdoor installation of his work to date. |
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| An avid photographer
and collector of images, Byrne employs a variety of photographic media and
digital processes in the service of "elevating the mundane to the
level of art, creating icons from everyday material and finding the sacred
in the profane." His work, which also includes audio and sculptural
elements, has been widely throughout the US and Europe and appears in
three publications A Strange Ritual (1995),
Your Action World
(1998) and The New Sins. A pocket size volume with the appearance
of a bible, it forms the basis of these lightbox images. Originally
created for the 2001 Valencia Biennale, where it was placed anonymously in
hotel drawers. Byrne has reconfigured the series and added a new sin(!)
for its Sydney installation. |
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"I love the idea of art appearing somewhat anonymously in the world. Work percieved and discoverd in the street, in out-of-the-way places, allows the reader, listener or viewer ... to take part in the creative process ... (it) allows the work to be more affecting, more in the world, more confusing, vexing and beautiful." |
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How can Charity, Sense of Humour, Beauty, Thrift, Ambition, Hope, Intelligence/Knowledge, Contentment, Sweetness, Honesty, Cleanliness and Temperance be considered as sins? With characteristic wit, humour, irony and sincerity, Byrne admits that "one may be tempted to laugh at the suggestion that one's most treasured virtues are indeed sins ... One may, however, upon reflection, come to accept this fact and then find a strange, calm centre, a new model, a place of Astonishment and Peace."
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These images were installed installed throughout Circular
Quay in JCDecaux lightboxes in Sydney, Australia.
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CharityCharity is voluntary giving of one's wealth or labour to another in need. One wonders how this institution came about. How did intuitive, spontaneous, altruistic behaviour become formalized into an "act" as opposed to being a natural part of living? How did the sense and intuition to aid and shelter members of the community who had fallen behind turn into an obligation born out of agression or guilt? Are we, as some maintain, imagining that there once was a time that charity was unheard off? Well, certainly it did not exist to the extend to which it is performed today. Charity today is powerplay, a means by which one person or people, using the pretext of aid, may exert not so subtle control over another party. The seeming gift becomes the cattle prod, the fence or the corral. Every accepted gift is received begrudgfully with full knowledge that there is an implicit obligation and power relationship being esthablished. Received in bitterness. Inspiring hatred and fear. No one likes to feel inferior, except some S&M party people, so most rebel - in subtle and less subtle ways - with sullen, angry, pissed-off attitudes that say: "You thing that you're better than me, but see, I'm still not happy and no amount of your imperious charity can make me happy." Yes! It's true! This hidden agenda of charity is obvious to the reciever, but invisible to the giver. The poor sinner is unaware of his or her subterfuge - they tremble on the week with their acts of kindness.
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